UKRAINIAN CONCERT FOR BAYAN: PREREQUISITES AND WAYS OF GENRE DEVELOPMENT (on the example of Concerto No. 1 for accordion with the Nicholas Rizol Symphony Orchestra)

Abstract

The article presents the musicological analysis of the concert of Bayan concert No. 1 with the symphony orchestra of the famous Ukrainian composer, People’s Artist of Ukraine, professor of the National Music Academy of Ukraine. PI Tchaikovsky, a prominent musician and public figure, Nikolai Rizol, as one of the priorities in his work in the early 1950s. As a result of the research, an attempt was made to study and trace the dynamics of development and growth of the concert genre in Ukrainian music for bayan (on the example of Concerto No. 1 for bayan with symphony orchestra) by analyzing modern scientific monographic literature. Described performing, editorial activity M. Rizol; the role and importance of the development of the technical capabilities of the bayn as an academic concert chamber instrument is substantiated; the fruitful cultural dimension of the creativity of the true ascetic and propagandist of Ukrainian folk music is highlighted. His work has an important ethno-cultural role, which is revealed in the realization of the integrative quality of combining bayan with Ukrainian melos in the mass musical consciousness. The specific feature of the concert is analyzed – the virtuosity of the solo instrument, which has a dual function: demonstration of mastery of the instrument and influence on the concert dramaturgy of the work. In this case, to demonstrate the virtuosity tool used by the author of the best complex ownership techniques available tools; widespread use of so-called «small vehicles» chord textures, octave passages and so on. The practical value of this work lies in the fact that its materials can be used to work in a special class (bayan) of music upper and secondary level of study. Creativity of the composer, teacher, bayan player, to whom this article is dedicated, gives space for problematic search efforts of the baynist musician, regarding the systematization of the features of the concert genre in Ukrainian music for the bayn, the means of formation and development of style, the artistic direction in the perspective of the traditions of perspective, artistic characteristics and peculiarities inherent in this work.