Features of metro-rhythm formation in students in classes in the orchestra

Abstract

The article considers rhythm as a special form of organization of movements and activities in time and space, and the formation of a perfect metro-rhythmic structure in orchestral musicians as a temporary organization of movements, activities and behavior of the individual, which serves as a means of implementing interpretive analysis. The problems of orientation of modern education on the integrated approach to the study of rational, creative and cultural-personal elements in the art of music in particular are becoming actual today. In the course of mastering the art of respondents, in particular the basics of proper performance of works of art, which are based on tempo-rhythmic skills, which are the pinnacle of metro-rhythmic feeling of a musician, fully reveal the creative and artistic qualities of personality. That is, the musical time within which the musical work is set out is not a purely metrical phenomenon, but to a greater extent acts as an artistic means that regulates the parameters of the ratio of time and musical intonations, which reveals the musical image depending on the compression or stretching of musical time.  Thus, the perfect sense of musical time that forms the basis of the metro-rhythmic structure of the work depends on the experience of orchestral musicians and their ability to have an interpretive artistic vision of the orchestral score which sets out the main genre-forming and stylistic elements that can be interpreted differently by different performers-orchestra players. Thus, in the foreground in the formation of a clear metro-rhythmic structure of students in the orchestral group are interpretive skills that allow on the basis of tempo and performance-metric features to adequately reproduce the musical image. Thus, the performing and interpretive component is the basis for the formation of metro-rhythmic sense in the orchestra. Thus, rhythm is the most important element in creating a certain emotional mood in music and in revealing its certain artistic content. In general, we can conclude that the metro-rhythm in music is not only a temporal element, but also emotionally expressive, figurative-poetic and artistic-semantic categories of the interpretive vision of orchestral musicians.